Wednesday, August 10, 2011

From the Granta 'Money' issue

"In fact the trouble I was having with ethics was that I'd never thought about them before -- in any sense. I had opinions on almost every subject, could argue any position and believed in almost nothing. I grew up, not necessarily with the belief, but with the feeling powerfully impressed on me, that life was a question of surviving, of making it through, not getting caught." - Richard Rayner (Rich, Rich, Rich)

Wednesday, May 4, 2011

The 'Marginal Cost' Mistake

Prof Clayton Christensen in HBR

"Weʼre taught in finance and economics that in evaluating alternative investments, we should ignore sunk and fixed costs, and instead base decisions on the marginal costs and marginal revenues that each alternative entails. We learn in our course that
this doctrine biases companies to leverage what they have put in place to succeed in the past, instead of guiding them to create the capabilities theyʼll need in the future. If we knew the future would be exactly the same as the past, that approach
would be fine. But if the futureʼs different—and it almost always is—then itʼs the wrong thing to do.
This theory addresses the third question I discuss with my students—how to live a life of integrity (stay out of jail).
Unconsciously, we often employ the marginal cost doctrine in our personal lives when we choose between right and wrong. Av oice in our head says, “Look, I know that as a general rule, most people shouldnʼt do this. But in this particular extenuating
circumstance, just this once, itʼs OK.” The marginal cost of doing something wrong “just this once” always seems alluringly low.
It suckers you in, and you donʼt ever look at where that path ultimately is headed and at the full costs that the choice entails.
Justification for infidelity and dishonesty in all their manifestations lies in the marginal cost economics of “just this once.”

Monday, April 25, 2011

Catalogue of rejected thoughts

"It seems to me that the writers we love most are those who manage to capture something we ourselves have thought and rejected, for being forbidden, dangerous, elusive, something that if we made room for it would undo something else we want to keep, so we force it away—literature as a catalogue of rejected thoughts. For the way they can hold onto what the rest of us would put away as dangerous, they become heroes, the ones who emerge with the one thing we hoped to keep secret, but know we need. When I say to you James Salter is one of my heroes, that is what I mean."

--From an essay by Alexander Chee

Tuesday, March 29, 2011

From "In Treatment"- my favourite show at the moment

Just watched episode 16 of Season 3 where Adele beguiles Paul with her analysis of his situation. The scriptwriting in this series is so complex and nuanced that it takes my breath away.

Adele: "The first day I met you, you insisted that you and Gina had it all figured out, that your need to save people started with your mother's illness.."

Paul: "..and does that seem far fetched to you?"

Adele: "It doesn't. But I think caring for your mother was also a way of saving yourself. It was miserable, yes.. but it was also safe and familiar and it kept you from having to find any real connections elsewhere, from risking yourself in the outside world..
And it also had the convenience of allowing you to blame it all on your father.
And it's really not so different to what you do to this day, is it? You cloister yourself in your apartment or your burrow-like office, you convince yourself you're sick, you'll accept a growing paralysis rather than taking a risk and finding where or towards whom your real passion lies.
And is it any wonder you haven't found what drives you yet?
You're 57 years old. And at some point you're going to have to move past the stories you've assigned to your life. These steadfast explanations you've settled on years ago. You have to look at yourself again. For real answers, you have to take that risk."

This is so true for all of us at any age...maybe particularly our mid-thirties and forties. We need to move beyond the stories we have assigned to ourselves and our lives and take at least a few risks all over again.

Wednesday, March 23, 2011

Found online in a comment thread....

"To be whole, let yourself break.
To be straight, let yourself bend.
To be full, let yourself be empty.
To be new, let yourself wear out.
To have everything, give everything up."

Tuesday, August 24, 2010

Godawful Poem#2

Thanks to Peter and his 'Godawful Poetry Fortnight' , I'm here again with my sickly second offering.


I wandered lonely as a status update
I surfed, I liked, I borrowed.
In Twitter, I found a rowdy crowd,
In blogs I drowned my sorrow.

Before I knew what hit my soul,
I surfed, I read, I borrowed.
RSS feeds told me all I need,
Now I can’t tell today from tomorrow.

So oft upon my couch I lie,
I surf, I chat, drink Bordeaux.
I melt into my glowing screen,
The real world turns to shadows.

Our digital selves are quite complete,
We post, we like, we follow.
We haven’t met and yet we’re friends,
You should know by now I'm shallow.

Monday, August 23, 2010

Terribly bad, truly awful poem

It's Godawful Poetry Fortnight and this below is my contribution!

This poem wrote itself on the bus to work,

And then on the train back home.

It wrote itself while I was working hard

at something else.

This poem skipped breakfast and lunch,

It drank three cups of coffee with sugar,

Followed by a slice of terribly sweet cake.

And it wouldn’t stop at that.

This poem had a drink.

Or two. In fact, it might’ve mixed it all up.

Wine after beer, have no fear.

This poem has no respect

for sonnets, ballads and neat little rhymes.

Police arrested this poem for insulting a couple of haikus.

This poem is lost because it prefers losing.

This poem wants to learn old languages

and ignore emerging markets.

This poem has made no investments.

It doesn’t want your money,

Or your praise. This poem is so stupid.

It thinks it will survive in the real world.